Many feel this wave as an impulse or a breathing. There is a back and forth to it. Its rhythmic. To me its like a tidal wave moving so strongly that I’ve considered taking dramamine (ha).
Be it a pulsation or tidal wave its consciousness on the move. This undulation has been symbolically expressed as a snake.
The snake of maya wrapped around Shiva’s neck. The seven headed snake that Vishnu reclines on. Even the snake in the garden of eden. All symbolic of maya but more about that in another blog.
When I feel into this wave I notice that the very top where the wave crests actually disappears into nothingness, samadhi and when it reappears its changed direction and it’s on its way down. At the trough the wave again disappears into nothingness and so it goes.
The path up and the path down on close examination happens in stages, eight of them to be precise. The eight tumblings of prakriti. Tumbling up then tumbling down. At each turn, the wave has a pause and disappears into nothingness but in a general way all we really notice is the wave or pulsation. So much for amplitude, let’s discuss frequency.
When the frequency is high the up and down part of the waves are closer together and the pulsation is rapid. So much so, that many experience both the up and the down virtually simultaneously. This accounts for the sense of kundalini rising while simultaneously Grace is descending.
This is what yields enlightenment. This is why high frequency consciousness is sought. But it’s not just high frequency, it’s high amplitude too.
I know this sounds completely abstract but simply take away what you can digest. Knowledge of this phenomenon is not a prerequisite for enlightenment it just helps to explain it.
Most people live their enlightenment quietly resting in its peacefulness and these finite details are of no use to them and I respect that. However, others continue to derive joy from the endless unfoldment of the layers of consciousness and I respect that. I find myself saying, Yes, to all of it.
Take away what gives you joy.